Hood Feminism: Mikki Kendall on Women that The Movement Forgot
May 28, 2021
Hosted by Diane Dewey
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Episode Description
Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed. Drop In with Mikki Kendall to find out how you can be part of a movement that includes all.
Dropping In
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Drop in to the dream of becoming an author. How does the book publishing business actually work? If you’re ready to tell your story, what’s the best way to do it? Do you need help crafting this tale? What about workshopping – is that helpful? When are you ready to show your work to a developmental or copy editor? The time may be now. If you’ve finished your manuscript, what are the next steps? Place your book in the context of the marketplace and decide, who is your audience? What’s the best platform to publish your work? Podcast, electronic or paper bound book? Are you well-versed in developing your book proposal? That means having your agent pitch down. Once you’ve secured an agent, what’s the optimal venue to get your book published, with all the support it needs to be seen and heard in media outlets? Whether through traditional, hybrid, indie presses, or a combination, we’ll bring you the experts in the fields of book coaching, agenting, editing, legal advice, publishing, and publicists, plus resources on the craft of writing. No matter what route you take, your best bet is to get educated. Drop in to how stories are made. In the end, we’ll all become stories. —Margaret Atwood
Diane Dewey
My most pressing question has always been about identity: Who am I? Growing up near Philadelphia with my adoptive family, my genetic identity was hidden. Then, my Swiss biological father, Otto, contacted me when I was age forty-seven in 2002. I’d been told by my adoptive parents that my biological parents were dead, supposedly to protect me. Meeting Otto upended my life. Through him, I met my German biological mother’s family to discover that her story too, had been changed; that she’d not wanted to surrender me and she’d searched for me all her life. Finding my truth was essential.
Based on my experience I am excited to talk to people about their own search for identity. My education includes a BA from Villanova University, a certificate from the Art Institute of Philadelphia and a Master of Science in Mental Health Counseling from Capella University. I’ve worked for The Solomon R. Guggenheim Museum, The SoHo Partnership and the National Academy of Design and have studied writing through New York University’s Continuing Education program. As an entrepreneur, I founded my art appraisal business, The Realization of Art in 2006. My non-fiction writing has been published in Shared Space, a monograph, and in Artes online magazine. Writing workshops worldwide have given me the chance to learn and hone my craft. My first book, “Fixing the Fates,” was awarded the National Non-Fiction Author’s Association Silver Medal and the Living Now Award.
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